museum's collections

The Imperial War Museum is a British national museum organisation with branches at five locations in England, three of which are in London. The museum was founded during the First World War in 1917 and intended as a record of the war effort and sacrifice of Britain and her Empire. Today the museum gives its mission as 'to enable people to have an informed understanding of modern war and its impact on individuals and society'[6].

Originally housed in the Crystal Palace at Sydenham Hill, the museum opened to the public in 1920. In 1924 the museum moved to space in the Imperial Institute in South Kensington, and finally in 1936 the museum acquired a permanent home which was previously the Bethlem Royal Hospital in Southwark. The outbreak of the Second World War saw the museum expand both its collections and its terms of reference, but the post-war period saw the museum enter a period of decline. The 1960s saw the museum redevelop its Southwark building, now referred to as Imperial War Museum London, and which serves as the organisation's corporate headquarters. During the 1970s the museum began to expand onto other sites. The first, in 1976, was a historic airfield in Cambridgeshire now referred to as Imperial War Museum Duxford. In 1978 the Royal Navy cruiser HMS Belfast became a branch of the museum, having previously been preserved for the nation by a private trust. In 1984 the Cabinet War Rooms, an underground wartime command centre, was opened to the public. From the 1980s onwards the museum's Bethlem building underwent a series of multimillion-pound redevelopments, completed in 2000. Finally, 2002 saw the opening of Imperial War Museum North in Trafford, Greater Manchester, the fifth branch of the museum and the first in the north of England.

The museum's collections include archives of personal and official documents, photographs, film and video material, and oral history recordings; an extensive library, a large art collection, and examples of military vehicles and aircraft, equipment and other artefacts. The museum is funded by government grants, charitable donations and revenue generation through commercial activity such as retailing, licensing, and publishing. Admission is free to Imperial War Museum London and Imperial War Museum North, but an admission fee is levied at the other branches. The museum is an exempt charity under the Charities Act 1993 and a non-departmental public body under the Department for Culture, Media and Sport. The current Chairman of the Trustees is Air Chief Marshal Sir Peter Squire. Since October 2008, the museum's Director General has been Diane Lees.

Quays in Trafford Park

The museum tells people's stories of war and its impact. Built by Daniel Libeskind to resemble three shards of a shattered globe, representing conflict on land, air and water.

Opened at The Quays in Trafford Park, Manchester in July 2002 and created to give northern audiences access to the national collections, IWM North focuses on how war shapes lives. Designed by world-renowned architect Daniel Libeskind.

Imperial War Museum North is located in Manchester, Lancashire - see map below for driving directions to Imperial War Museum North event. For more information about Imperial War Museum North, please contact 0161 836 4000

State Russian Museum

The State Russian Museum (formerly the Russian Museum of His Imperial Majesty Alexander III, while prior to that, as the Palace of the Grand Duchess Elena Pavlovna) is the largest depository of the Russian fine art in St Petersburg.
The Mikhailovsky Palace

The museum was established on April 13, 1895, upon enthronement of Nicholas II to commemorate his father, Alexander III. Its original collection was composed of artworks taken from the Hermitage Museum, Alexander Palace, and the Imperial Academy of Arts. After the Russian Revolution of 1917, many private collections were nationalized and relocated to the Russian Museum. These included Kazimir Malevich's Black Square.

The main building of the museum is the Mikhailovsky Palace, a splendid Neoclassical residence of Grand Duke Michael Pavlovich, erected in 1819-25 to a design by Carlo Rossi on Square of Arts in St Petersburg. Upon the death of the Grand Duke the residence was named after his wife as the Palace of the Grand Duchess Elena Pavlovna, and became famous for its many theatrical presentations and balls.

Some of the halls of the palace retain the Italianate opulent interiors of the former imperial residence. Other buildings assigned to the Russian museum include the Summer House of Peter I (1710-14), the Marble Palace of Count Orlov (1768-85), St Michael's Castle of Emperor Paul (1797-1801), and the Rastrelliesque Stroganov Palace on the Nevsky Prospekt (1752-54).

Abu Dhabi Louvre Museum

Abu Dhabi Louvre Museum is a program will be based in Abu Dhabi, United Arab Emirates. Tuesday March 7, 2007 in Paris, the Louvre announced that a new Louvre museum in Abu Dhabi will be completed by 2012. This is part of a 30-year agreement between the city of Abu Dhabi and the French Government. The museum complex will be located in Saadiyat Island, will be about 24,000 square meters (260,000 square feet) in size. The final construction cost is expected to be with € 8,300 million and € 1.08 

Works from around the world will be on display in the museum, particularly focusing on narrowing the gap, the Eastern and Western Art. However, the museum building has caused much controversy in the art world, because many objections, in order to enhance the motivation of the Louvre in this transaction. 

In the 30-year agreement, signed by French Culture Minister De Vabres and chief Sultan Tahnoon Al Nahyan, will prompt the construction of a Louvre museum Saadiyat Island, close to central Abu Dhabi, in exchange for 1.3 billion U.S. dollars. The contract prohibits the establishment of any such action and the Louvre's name and any other emirates in the UAE, Saudi Arabia, Kuwait, Oman, Bahrain, Qatar, Egypt, Jordan, Syria and Lebanon, Iran or Iraq. [3] French President Jacques Chirac praised the museum deal with Abu Dhabi, said it reflected "a world of thought", in which each side of the agreement, "the root of pride and its identity, is conscious of the equal dignity of all cultures . "


The establishment of the museum has passed the French Parliament on October 9, 2007. The building will be the architect Jean Nouvel and the engineers are Buro Happold. for Nouvel also designed the Arab World Institute in Paris. 

Part of the museum, unit 1 270 million tourism and cultural development will be built on Saadiyat Island, the building also includes three other museums, including the Guggenheim Museum. According to the United Arab Emirates interaction: "The French Museums agency co-operation in tourism development and investment company (TDIC), which is the transformation of Saadiyat Island behind. It will be chaired by French financier and Member States of the Academy of Fine Arts, Marc Ladreit de Lacharriere , publishers of the two World Series Opera. " Bruno Maquart, former Executive Director of the Pompidou Centre, the position of executive director to be taken. "

By choosing the Louvre, the Emirate of Abu Dhabi not only sealed the partnership with the world's most visited and well-known museum, but select one, from the beginning, there was a job, access to the world, the essence of humanity through thought works of art.

Dubai Museum

Dubai Museum (Arabic: متحف دبي) is the most important museum in Dubai, United Arab Emirates. It is located in the Al Fahidi Fort, built in 1787 and is the oldest surviving building in Dubai.

The museum was opened by the ruler of Dubai in 1971, with the aim of presenting the traditional way of life in the Emirate of Dubai. It includes local antiquities and artifacts from African and Asian countries that trade with Dubai. It also includes a number of dioramas showing life in the emirate before the arrival of the oil. Alongside objects from the recent discoveries as old as 3000 BC

History

Al Fahidi Fort was built in several phases. The oldest tower was built around 1787 and probably the oldest building in Dubai, which still exists today. The fort was used to determine the landward approaches to the city from the incursions of neighboring tribes. It has also, at various times throughout history as the palace of the monarch, a garrison and a prison. 

The fort was renovated in 1970 and opened as the Dubai Museum on May 12, 1971 by Sheikh Rashid bin Saeed Al Maktoum, then ruler of Dubai. Additional galleries were added in 1995

National Museum of Saudi Arabia

The National Museum of Saudi Arabia is a major national museum in Saudi Arabia. Founded in 1999. It is part of the King Abdul Aziz Historical Centre in Riyadh. 
Content 
[Hide] 


The National Museum is part of the "Murabba 'Development Plan for the area in and around the old Murabba' Palace district for the centenary in Saudi Arabia to renovate. Thus, the deadline to early 1999, with only 26 months [3] for the planning and construction of the museum from scratch, but ideas for such a museum had been discussed since the eighties. For the design of the lead architect Raymond Moriyama was inspired by the shape and color of the sand dunes of the 'Red Sands' just outside Riyadh. [4] The west facade along Murabba 'Square, similar to the soft contours of a sandune with the layout, a crescent points to Mecca. [3] The west facade opens into a large lobby, which also opens onto a small square in the east that separates the main organs of the museum to the north and south, each organized around a small courtyard. The north wing is devoted to the pre-Islamic and galleries linked by a bridge to the south wing of the Islamic galleries of the history of the Arabian Peninsula hosts. For the final galleries the visitor enters the "Unification Drum" that shows the current Saudi State. The last room illustrates the two holy mosques and the hajj. There are also two galleries for special exhibitions. 

The concept for the didactic design of the exhibition is different from the traditional approach of traditional museums. There is less emphasis on individual exhibits displayed in their cultural context as objects of great value. There are many replicas and life-size displays dioramic, illustrate and teach about certain issues and problems. As such, it is sometimes difficult to identify certain specific documents and even replicas indistinguishable from originals. The idea is not to focus on individual pieces in their own right but rather to use them as models for the general ideas or concepts they represent. [4] shows that 
[Edit] Exhibitions 

The exhibitions are organized into eight "Exhibition Halls" or "Galleries
* Man and the Universe 

The first exhibition in the museum is a large fragment of a meteorite found in the Wabar craters in the desert of Rub 'al Khali'. Further exhibitions and interactive displays explain the solar system, plate tectonics, geology and geography from the Arabian Peninsula and development of the fauna and flora of Arabia. Major exhibitions are the skeleton of a Platybelodon and Ichthyosaur. The gallery ends with Stone Age man. 

* Arab Kingdoms 

This gallery shows the early kingdoms, focusing on Dilmon, Madian, and Gariah Tima'a. The exhibition continues with the Arab kingdoms intermediary by presenting the city Al-Hamra, Al-Jandal Dawmat, and Tima'a Tarout. The late Arab kingdoms are represented by the civilizations that flourished in Al-Aflaj, Najran and Ain Zubaida. 

* The pre-Islamic era (Jahiliyyah) 

This gallery is devoted to the period from about 400 BC to the dawn of Islam. Cities of today are portrayed Mecca, Jarash, Yathrib, Khaibar, Najran, and Khadrama Dawmat Aljandal and the markets Okaz, the Al-Majaz, Najran and Habasha. The evolution of writing and calligraphy will be displayed and illustrated by numerous examples [6]. 

* The Prophet Mission 

Here the life and mission of the Prophet Muhammad is depicted. On one wall hangs a large family tree explaining the Prophet's family and relationships in great detail. This gallery is a bridge that a symbolic cross-over forms from the time of ignorance for the time after the revelation of Islam to the prophet. 

* Islam and the Arabian Peninsula 

Time in this gallery are the Islamic beginning in Medina and the history of the rise and fall of the caliphate. It also illustrates the time of the Mamluks and the Ottomans to the first Saudi state. 

* First and Second Saudi States 

Shown here is the culture and history of the two early Saudi State. A large model of Diriyah is displayed under a glass floor, so it can be considered a commodity in great detail. 

* The unification 

This gallery is dedicated to King Abdul Aziz and how he returned to Riyadh and established his Kingdom. 

* The Hajj and the Two Holy Mosques 

A major exhibition at this gallery is a large model of Mecca and its surroundings.

Museum of Irish Industry

The Museum of Irish Industry, founded in 1854, originally an extension of the Museum of Economic Geology, was a museum dedicated to the exhibition of the various, display-worthy materials from, and donated by, the industries of mining and manufacturing established in Ireland. In addition, the museum gave lectures on the subject, and related subject matters, to the general public.

Overseen by the Board of Trade, Department of Science and Art, the museum grew to challenge (in its areas of expertise) the previous monopolisers of scientific study and instruction in Ireland, the Trinity College Dublin and the Royal Dublin Society. The museum had an education faculty of sorts which was divided into two separate institutions, and they were both largely dissimilar in their areas of academic focus.

The abolition of the museum was recommended in 1862, with several parties claiming that it should be ultimately reorganised to be broader in scope, to encompass all reas of science related to agriculture and industry, rather than simply relating to the mining subject matter. As a result of this recommendation, the museum was abolished to make way for the Royal College of Science of Ireland, which was wider in sight. The document detailing and authenticating the abolishment of the museum was appointed in February 1866, and was signed in July of the same year.